viernes, 8 de mayo de 2015

gargoyles as symbol

"It would be difficult to find a detail of architecture that is more popular with the European tourists than the gargoyles of Notre Dame in Paris. Thousands have climbed the weary stone stairs to examine them in detail and then examine, from above, the magnificent panorama of the French capital. But the gargoyles are pleasant fellows to meet, with their grinning faces and elfish profiles; all pleasant but two. And those two are located on the northeastern aspect of the tower that looks out toward Germany.  These two are the hungry gargoyles. The one is swallowing a long, luckless dog, while its companion gazes greedily down toward the land where France is now encamped.
But, the tourists will remonstrate, Notre Dame was built centuries ago. How could the present-day attitude of France be veiled in their horrible visage?
Truly the cathedral was built more than six hundred years ago, but these gargoyles were executed and placed in position there by order of Napoleon the Third, a short time before the outbreak of the Franco-Prussian war. The cathedral is old;  but these monstrosities are not. They belong to modern history and the commencement of French hartred toward the eastern neighbor.
These world-famed gargoyles were placed on Notre Dame by E.E. Viollet-le-Duc, who died in 1879. He was an intimate friend of Napoleon the Third, and was employed in the restoration of many ancient buildings that had suffered during the French Revolution. In that connection he was engaged with his Notre Dame gargoyles for eleven years. Other buildings which he restored with figures do not exhibit the horror and rapacity of these two gargoyles which face Germany.  Did he here express, in stone, the thoughts of the French leaders which are now current history?"

ON Paris  -  Ernest Hemingway
The Toronto Star Weekly, November 1923



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